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     BECOMING A PROFESSIONAL MAKE-UP ARTIST  / Student curriculum  / Year 2 

   

MART2 Program (Professional artistic make-up)




Artistic and cultural classes
- History of make-up
- History of costume
- History of cinema or fashion
- Plastic arts

General classes
- English
- Jobfinding techniques

Professional classes
- Professional integration
- Behavior in the studio
- Reading and analyzing a script
- Designing making-up from a script
- Anatomy: face and body  
- Photogenic qualities in cinema
- Cinema lighting and digital image technology
- Hairstyling (period, buns)
- Postiche work

Specialisation classes
- Make-up for cinema 
     • advanced ageing 
     • making actors look younger 
     • making actors look ugly
     • make-up for extras
     • continuity make-up
     • period make-up: Middle Ages, 18th century, 60s…
- Make-up for the opera
     • creation of opera characters
- Fashion make-up
- Body painting
     • temporary tattoos
     • body painting
     • "Halloween" make-up
- Special effects 
     • pastiches, doubles 
     • serious wounds
     • fitting and making up false skulls in glatzan or watermelon 
     • severed finger
     • bullet wound (entry and exit)
- Cross-discipline projects
- End of year projects
- Options
    • special effects prostheses
    • fashion trends make-up 
    • corrective and repair make-up
    • airbrush make-up
    • make-up consulting
Pratique et stages
Practical work, internships
- Make-up for short, medium or feature-length films, television films, television studios, fashion shows, cultural events, demos etc.…

Maquillage: Charlotte Mailhe
Make-up using protheses
created by Charlotte Mailhι

Maquillage: Elodie Tacquet
Make-up: Elodie Tacquet

Maquillage:
Make-up: Aurιlia Boullen

Maquillage: Lartigue
Make-up: Audrey Lartigue


 


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